Watching a Cyber Audience Watch a Real Orchestra Perform in a Virtual World

People really dress for concerts around here. One man sports a bright purple suit, with a hat and roller skates to match. A woman wears a gown that appears to be made of peacock feathers, and a large blue butterfly flaps gently in circles around her.

We’re not in Kansas anymore, or even in Liverpool, England, where the Royal Liverpool Philharmonic opened its season on Friday night. For the occasion the orchestra went to the unusual extreme of building a new hall: a virtual environment in the online world Second Life. In a virtual replica of the Art Deco hall, an audience of animated figures, known as avatars, watched the orchestra perform live in a choppy video streamed over the Internet on a screen at the front of the room.

Call it the future, call it a stunt, Second Life is attracting more and more attention, and classical music is starting to get in on the act. Universal Classics has built an online island where visitors can inspect a replica of the exhibition of artifacts associated with the legendary mezzo-soprano Maria Malibran that is now touring Europe to promote Cecilia Bartoli’s next Malibran-themed album.

Read full article (New York Times, September 18, 2007)

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